1、一颗小小的意念种子，也会生根成形。它可能成就你，也可能毁灭你。
2、那么，你是想放手一搏，还是要等到年华老去，心中充满遗憾，孤独地迈向黄泉路？
3、最具有可塑性的寄生生物是什么？是人的想法。
4、既然是做梦，就干脆做大点。
5、这是我们自己创造的世界，却分不清真和假了。
6、人类一个简单的念头可以创造城市。一个念头可以改变世界。
7、你等着一辆火车，它会把你带到远方。你明白自己希望火车把你带到哪儿，不过你也心存犹豫。但这一切都没有关系——因为我们在一起。
8、我们做梦的时候，梦境是真实的，对不对？只有到醒来的时候才会意识到事情不对劲儿。我问你，你从来都不记得梦从何而起是不是？你记得的只有梦中间的部分。
9、它能塑造你，也能毁灭你。
10、你想改变现实，所以你一遍遍得做梦，想梦到现实，梦到的地方，是你想改变，悔恨的地方。……那活在自己的潜意识里。
11、不要用现实中的事情来制造梦境，那会让你分不清是梦境还是现实。
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第1个回答 2010-09-06
You're waiting for a train - a train that will take you far away. You know where you hope the train will take you, but you can't know for sure. But it doesn't matter, because we'll be together.
你在等一班火车，火车会带你去很远的地方，你知道火车会带你去哪，但你并不确定，不过不重要，因为我们会永远在一起。本回答被提问者采纳
你在等一班火车，火车会带你去很远的地方，你知道火车会带你去哪，但你并不确定，不过不重要，因为我们会永远在一起。本回答被提问者采纳
第2个回答 2010-09-06
You’re waiting for a train
a train that will take you far away.
You know where you hope
the train will take you,
but you can’t know for sure.
But it doesn’t matter,
because we’ll be together.
a train that will take you far away.
You know where you hope
the train will take you,
but you can’t know for sure.
But it doesn’t matter,
because we’ll be together.
第3个回答 2010-09-06
1. You're waiting for a train - a train that will take you far away. You know where you hope the train will take you, but you can't know for sure. But it doesn't matter, because we'll be together.
- Cobb
2. What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient... highly contagious. Once an idea has taken hold of the brain it's almost impossible to eradicate. An idea that is fully formed - fully understood - that sticks; right in there somewhere.
- Cobb
3. Cobb: (Over the phone) How are you, huh? How are you doing?
James: Okay, I guess.
Cobb: Who's just okay? Is that you, James?
James: Yeah. Is Mommy with you?
Cobb: James, we talked about this. Mommy's not here anymore.
James: Where?
4. Cobb: What do you want?
Saito: Inception. Is it possible?
Arthur: Of course not.
Saito: If you can steal an idea, why can't you plant one there instead?
Arthur: Okay, this is me, planting an idea in your mind. I say: don't think about elephants. What are you thinking about?
Saito: Elephants?
Arthur: Right, but it's not your idea. The dreamer can always remember the genesis of the idea. True inspiration is impossible to fake.
Cobb: No, it's not.
5. Cobb: I'm just doing what you taught me.
Professor: I never taught you to be a thief.
6. Cobb: You create the world of the dream, you bring the subject into that dream, and they fill it with their subconscious.
Ariadne: How could I ever acquire enough detail to make them think that its reality?
Cobb: Well dreams, they feel real while we're in them, right? It's only when we wake up that we realize how things are actually strange. Let me ask you a question, you, you never really remember the beginning of a dream do you? You always wind up right in the middle of what's going on.
Ariadne: I guess, yeah.
Cobb: So how did we end up here?
Ariadne: Well we just came from the a...
Cobb: Think about it Ariadne, how did you get here? Where are you right now?
Ariadne: We're dreaming?
Cobb: You're actually in the middle of the workshop right now, sleeping. This is your first lesson in shared dreaming. Stay calm.
7. Cobb: You create the world of the dream. We bring the subject into that dream and fill it with their subconscious.
Ariadne: How could I ever acquire enough detail to make them think that it's reality?
Cobb: Our dreams, they feel real while we're in them right? Its only when we wake up then we realize that something was actually strange!
8. Arthur: So, a totem. It's a small object, potentially heavy, something you can have on you all the time...
Ariadne: What, like a coin?
Arthur: No, it has to be more unique than that, like - this is a loaded die.
(Ariadne reaches out to take the die)
Arthur: . Nah, I can't let you touch it, that would defeat the purpose. See only I know the balance and weight of this particular loaded die. That way when you look at your totem, you know beyond a doubt you're not in someone else's dream.
9. The moment's passed. Whatever I do I can't change this moment. I'm about to call out to them. They run away. If I'm ever going to see their faces I've gotta get back home, the real world.
- Cobb
10. Eames: Do they come here to sleep?
Thin Man: (Looking at Cobb) No, They come here to be woken up. Dream has become their reality! Who are you to say, otherwise?
11. Cobb: I will split up my father's empire. Now this is obviously an idea that Robert Fischer will choose to reject - which is why we need to plant it deep in his subconscious. Subconscious is fueled by emotion, right? Not reason. We need a find a way to translate this into an emotional concept.
Arthur: How do you translate a business strategy into an emotion?
Cobb: Well, that's what we're here to figure out, right? Now Fischer's relationship with his father is stressed, to say the least...
Eames: Well, can we run with that? Suggest splitting up the empire as a "screw-you" to the old man?
Cobb: No, cause I think positive emotion trumps negative emotion every time. We all crave reconciliation - we're catharsis. We need Robert Fischer to have a positive emotional reaction to all this.
Eames: Alright, well try this. My father accepts that I want to create for myself, not follow in his footsteps.
Cobb: That might work.
Arthur: Might? We're gonna need to do a little better than might.
Eames: Oh, thank you for your contribution, Arthur!
Arthur: Forgive me for wanting a little specificity.
(Eames appears confused at the word)
Arthur: Specificity?
12. Mal: What are you doing here?
Ariadne: My name is...
Mal: I know who you are. What are you doing here?
Ariadne: I'm just trying to understand...
Mal: How could you understand? Do you know what it is to be a lover? To be half of a whole?
Ariadne: No...
Mal: I'll tell you a riddle. You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't be sure. But it doesn't matter. How can it not matter to you where this train will take you?
Cobb: Because you'll be together.
13. Ariadne: When were you in Limbo?
Ariadne: You might have the rest of the team convinced to carry on with this job but they don't know the truth.
Cobb: Truth? What truth?
Ariadne: The truth that at any minute, you might bring a freight train through the wall. The truth that Mal is bursting through your subconscious. And the truth that as we go deeper into Fischer we're also going deeper into you. And I... I'm not sure we're gonna like what we find.
Cobb: We were working together. We were exploring the concept of a dream within a dream. I kept pushing things. I wanted to go deeper and deeper. I wanted to go further. I just didn't understand the concept that hours could turn into years down there. That we could get trapped so deep. That when we wind up on the shore of our subconscious we lost side of what was real. We created. We built a world for ourselves. We did that for years. We got our own world.
Ariadne: How long were you stuck there?
Cobb: Something like fifty years.
Ariadne: Jesus. How could you stand it?
Cobb: It wasn't so bad at first. Feeling like gods. The problem was that I knew that none of that was real. Eventually, it has became impossible for me to live like that.
14. After my mother died, you know what he told me? "Robert, there's really nothing to be said."
- Fisher
15. Arthur: What about his security? It's gonna get worse as we go deeper.
Cobb: I think we run with Mr. Charles.
Arthur: No.
Eames: Who's Mr. Charles?
Arthur: Bad idea.
Cobb: The second we get in that hotel with Fischer, his security is gonna be all over us. We run with Mr. Charles like we did on the Stein job.
Eames: So you've done it before?
Arthur: Yeah, and it didn't work. The subject realized he was dreaming and his subconscious tore us to pieces
16. Wait, whose subconscious are we going through exactly?
- Ariadne
17. The seed that we planted in this man's mind may change everything.
- Cobb
18. Eventually, She tells me the truth that she was possessed by an idea, just one simple idea that changed everything, that our world wasn't real and in order to get back to the reality, We'll have to kill ourselves.
- Cobb
19. I wish, I wish more than anything. But I can't imagine you with all your complexity, all you perfection, all your imperfection. Look at you. You are just a shade of my real wife. You're the best I can do; but I'm sorry, you are just not good enough.
- Cobb
20. Mal: We'd be together forever. You promised me.
Cobb: I know. But we can't. And I'm sorry.
Mal: You remember when you asked me to marry you? You said you dreamt that we'd grow old together.
Cobb: And we did... I miss you more than I can bear... but we had our time together. And now I have to let go...
21. Cobb: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't be sure. Yet it doesn't matter. Now, tell me why?
Mal: Because, we'll be together!
22. Saito: So have you come to kill me? I've been waiting for someone to come for me...
Cobb: Someone from a half remembered dream...
Saito: Cobb? Impossible - He and I were young men together, now I'm an old man.
Cobb: Filled with regret...
Saito: Waiting to die alone...
Cobb: I've come back to remind you of something... something you once knew...
(Sees the top spinning without end)
Cobb: that this world isn't real...
Saito: To convince me to honor the arrangement.
Cobb: To take a leap of faith yes. Come back, and we'll be young men together again. Come back to me...
(Saito reaches for the gun)
Cobb: Come back...
- Cobb
2. What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient... highly contagious. Once an idea has taken hold of the brain it's almost impossible to eradicate. An idea that is fully formed - fully understood - that sticks; right in there somewhere.
- Cobb
3. Cobb: (Over the phone) How are you, huh? How are you doing?
James: Okay, I guess.
Cobb: Who's just okay? Is that you, James?
James: Yeah. Is Mommy with you?
Cobb: James, we talked about this. Mommy's not here anymore.
James: Where?
4. Cobb: What do you want?
Saito: Inception. Is it possible?
Arthur: Of course not.
Saito: If you can steal an idea, why can't you plant one there instead?
Arthur: Okay, this is me, planting an idea in your mind. I say: don't think about elephants. What are you thinking about?
Saito: Elephants?
Arthur: Right, but it's not your idea. The dreamer can always remember the genesis of the idea. True inspiration is impossible to fake.
Cobb: No, it's not.
5. Cobb: I'm just doing what you taught me.
Professor: I never taught you to be a thief.
6. Cobb: You create the world of the dream, you bring the subject into that dream, and they fill it with their subconscious.
Ariadne: How could I ever acquire enough detail to make them think that its reality?
Cobb: Well dreams, they feel real while we're in them, right? It's only when we wake up that we realize how things are actually strange. Let me ask you a question, you, you never really remember the beginning of a dream do you? You always wind up right in the middle of what's going on.
Ariadne: I guess, yeah.
Cobb: So how did we end up here?
Ariadne: Well we just came from the a...
Cobb: Think about it Ariadne, how did you get here? Where are you right now?
Ariadne: We're dreaming?
Cobb: You're actually in the middle of the workshop right now, sleeping. This is your first lesson in shared dreaming. Stay calm.
7. Cobb: You create the world of the dream. We bring the subject into that dream and fill it with their subconscious.
Ariadne: How could I ever acquire enough detail to make them think that it's reality?
Cobb: Our dreams, they feel real while we're in them right? Its only when we wake up then we realize that something was actually strange!
8. Arthur: So, a totem. It's a small object, potentially heavy, something you can have on you all the time...
Ariadne: What, like a coin?
Arthur: No, it has to be more unique than that, like - this is a loaded die.
(Ariadne reaches out to take the die)
Arthur: . Nah, I can't let you touch it, that would defeat the purpose. See only I know the balance and weight of this particular loaded die. That way when you look at your totem, you know beyond a doubt you're not in someone else's dream.
9. The moment's passed. Whatever I do I can't change this moment. I'm about to call out to them. They run away. If I'm ever going to see their faces I've gotta get back home, the real world.
- Cobb
10. Eames: Do they come here to sleep?
Thin Man: (Looking at Cobb) No, They come here to be woken up. Dream has become their reality! Who are you to say, otherwise?
11. Cobb: I will split up my father's empire. Now this is obviously an idea that Robert Fischer will choose to reject - which is why we need to plant it deep in his subconscious. Subconscious is fueled by emotion, right? Not reason. We need a find a way to translate this into an emotional concept.
Arthur: How do you translate a business strategy into an emotion?
Cobb: Well, that's what we're here to figure out, right? Now Fischer's relationship with his father is stressed, to say the least...
Eames: Well, can we run with that? Suggest splitting up the empire as a "screw-you" to the old man?
Cobb: No, cause I think positive emotion trumps negative emotion every time. We all crave reconciliation - we're catharsis. We need Robert Fischer to have a positive emotional reaction to all this.
Eames: Alright, well try this. My father accepts that I want to create for myself, not follow in his footsteps.
Cobb: That might work.
Arthur: Might? We're gonna need to do a little better than might.
Eames: Oh, thank you for your contribution, Arthur!
Arthur: Forgive me for wanting a little specificity.
(Eames appears confused at the word)
Arthur: Specificity?
12. Mal: What are you doing here?
Ariadne: My name is...
Mal: I know who you are. What are you doing here?
Ariadne: I'm just trying to understand...
Mal: How could you understand? Do you know what it is to be a lover? To be half of a whole?
Ariadne: No...
Mal: I'll tell you a riddle. You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't be sure. But it doesn't matter. How can it not matter to you where this train will take you?
Cobb: Because you'll be together.
13. Ariadne: When were you in Limbo?
Ariadne: You might have the rest of the team convinced to carry on with this job but they don't know the truth.
Cobb: Truth? What truth?
Ariadne: The truth that at any minute, you might bring a freight train through the wall. The truth that Mal is bursting through your subconscious. And the truth that as we go deeper into Fischer we're also going deeper into you. And I... I'm not sure we're gonna like what we find.
Cobb: We were working together. We were exploring the concept of a dream within a dream. I kept pushing things. I wanted to go deeper and deeper. I wanted to go further. I just didn't understand the concept that hours could turn into years down there. That we could get trapped so deep. That when we wind up on the shore of our subconscious we lost side of what was real. We created. We built a world for ourselves. We did that for years. We got our own world.
Ariadne: How long were you stuck there?
Cobb: Something like fifty years.
Ariadne: Jesus. How could you stand it?
Cobb: It wasn't so bad at first. Feeling like gods. The problem was that I knew that none of that was real. Eventually, it has became impossible for me to live like that.
14. After my mother died, you know what he told me? "Robert, there's really nothing to be said."
- Fisher
15. Arthur: What about his security? It's gonna get worse as we go deeper.
Cobb: I think we run with Mr. Charles.
Arthur: No.
Eames: Who's Mr. Charles?
Arthur: Bad idea.
Cobb: The second we get in that hotel with Fischer, his security is gonna be all over us. We run with Mr. Charles like we did on the Stein job.
Eames: So you've done it before?
Arthur: Yeah, and it didn't work. The subject realized he was dreaming and his subconscious tore us to pieces
16. Wait, whose subconscious are we going through exactly?
- Ariadne
17. The seed that we planted in this man's mind may change everything.
- Cobb
18. Eventually, She tells me the truth that she was possessed by an idea, just one simple idea that changed everything, that our world wasn't real and in order to get back to the reality, We'll have to kill ourselves.
- Cobb
19. I wish, I wish more than anything. But I can't imagine you with all your complexity, all you perfection, all your imperfection. Look at you. You are just a shade of my real wife. You're the best I can do; but I'm sorry, you are just not good enough.
- Cobb
20. Mal: We'd be together forever. You promised me.
Cobb: I know. But we can't. And I'm sorry.
Mal: You remember when you asked me to marry you? You said you dreamt that we'd grow old together.
Cobb: And we did... I miss you more than I can bear... but we had our time together. And now I have to let go...
21. Cobb: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't be sure. Yet it doesn't matter. Now, tell me why?
Mal: Because, we'll be together!
22. Saito: So have you come to kill me? I've been waiting for someone to come for me...
Cobb: Someone from a half remembered dream...
Saito: Cobb? Impossible - He and I were young men together, now I'm an old man.
Cobb: Filled with regret...
Saito: Waiting to die alone...
Cobb: I've come back to remind you of something... something you once knew...
(Sees the top spinning without end)
Cobb: that this world isn't real...
Saito: To convince me to honor the arrangement.
Cobb: To take a leap of faith yes. Come back, and we'll be young men together again. Come back to me...
(Saito reaches for the gun)
Cobb: Come back...
第4个回答 2010-09-05
You’re waiting for a train. You know where you hope the train will take you, but you can’t know for sure.But it doesn’t matter, because we’ll be together.
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