维托里奥蒙蒂(Vittorio, Monti ,1868-1922), Italian composer, violinist. Early into the Naples Conservatory of Music to study violin and composition. Philharmonic Orchestra in any拉姆努violin performer in any concert hall orchestra conductor. After the violin and mandolin teaching, and to continue composing.
For there is drama, light opera and instrumental pieces, etc., in which the violin music, "he尔达什" and "morning love song," the most well-known, "Richard尔达什" was adapted into a variety of trumpet, clarinet and many other instruments the solo song, a very wide spread.
翻译：维托里奥·蒙蒂 （Vittorio,Monti,1868-1922) ，意大利作曲家，小提琴家。早年入那不勒斯音乐学院学习小提琴和作曲。曾在拉姆努管弦乐团任小提琴演奏员，在音乐厅管弦乐团任指挥。后从事小提琴和曼多林的教学，并继续作曲。
作有舞剧，轻歌剧和器乐小品等，其中小提琴曲《查尔达什》和《爱之晨曲》最为著名，《查尔达什》还被改编成多种小号，单簧管等多种乐器的独奏曲，流传十分广泛。
舞曲的urope was the rise of the romantic period of music camp, some composers in the folk music of his country to draw a large number of rich material to write music of ethnic characteristics, and the first is the trend of Listeria monocytogenes in Hungary and Poland Xiao state. Chopin wrote a lot of Dance and the Mazurka Polonaise, Liszt was like in their own works in accordance with the Csardas Hungarian folk dance styles to create.
Csardas Gypsy Dance originated in the folk dance, popular in Hungary, to the 19th century, Hungary had become the main 50,60 folk instrumental music genre. It uses two-beat rhythm, the structure of the music is composed of two parts. The first part called "拉绍" (Lassau), mean resting overflow, and the slow pace of wealth to the singing, which is a solo man who played music at the time; the second part called "Fries" (friss) means that jump is The main part of the speed are very fast-paced commonly used segmentation, this distinctive dance rhythm and speed quickly and a warm atmosphere, men and women dance to the accompaniment.
Later, Csardas Dance by some composers use different forms of music, such as Liszt's "Hungarian Rhapsody II", which is actually the first Rhapsody Csardas Dance written in the genre. Music is a slow beginning of the introduction, it is deep, but strong, with the general tone horn. Followed is known as the "拉绍" the first, which is slow for some free music and rhythm, showing the kind of love wandering gypsy life, free of character, but sometimes music can not help showing sorrow emotions. The second part of musical "Vries" is in full swing for some of dance music, wild and unrestrained, it can be specific to the performance of the Hungarian national Haofang and enthusiasm. This was the first piano Rhapsody, but in concert with orchestra on stage often appear改编曲.
In some well-known ballet music, and sometimes to hear Csardas Dance, for example, the French ballet composer德里布"葛蓓莉娅" in the section of "Csardas Dance" on the well-known.
Well-known "Csardas Hungarian Dance" music from the late 19th century, early 20th century the famous Italian violinist, composer维托里奥蒙蒂two of the most famous one of the violin song (another first for the "love song of the morning ")
里奥蒙蒂Victor (Vittorio Monti) 1868 on 8 years 1 was born in Naples, June 20, 1922 death. Monty loved music since childhood, and later he went to Naples and Paris Conservatory of Music to study violin and composition. In 1886, when 18-year-old Monty, he has become the Lamoureux Orchestra, a violinist of. 1900, Monty served as a concert hall orchestra conductor, he conducted teaching violin and mandolin, and to continue composing. Monti's works have a ballet music, several operas and a number of small pieces, but the only the first violin and orchestra written for the "Csardas Dance", so that the name of Monty reputation in the world.
This song first d minor, the second half to D major, 2 / 4 beat, rehabilitation-style trilogy. There is a rhythm in front of a free Introduction, by the violin playing in the bass area, enter the formal dance rhythm, the emergence of a cheerful and lively melodies, this is the first part of its A segment, B segment is composed of a series of sixteenth note very lively. After a transitional paragraph, is the second part of music, it is converted to D major, the tempo slowed down in some, but also because it is carried out in the major, so it is uncertain stretch. And then repeat the first part of paragraph B melody in it, there is a clear melody, from the first part of evolution, it was minor, but here turned into a major, then it is repeated again after the end of music at the end of the major uncertainties.
Music before the start of the presentation of a passionate introduction, and then perform a deep and sad theme in some of the components of the subject-specific search尔达什Dance "拉绍" paragraphs. Minor in the development of color after the lyrical melody, and later converted into another smooth melody and gorgeous. The two melodies have a distinct Hungarian and Gypsy music features.
Then Csardas Dance music into quick and lively "Friis" paragraphs, and above that "拉绍" to form a strong contrast, full of lively and spirited atmosphere. This dance music more and more enthusiastic, a fast take frequent sentence to music tend to climax ~ ~ ~ Then, the music suddenly calm, gentle and tactful play slowly singing the melody of the theme. This simple sweet melody overtone violin again after, the formation of a moving effect of Glen Echo. The last sentence again go fast coming out, and the rhythm of segmentation processing, will be music to warm after the end of the climax of the whole song. Hear it, just like the show in front of us a Hungarian folk screen people's lives.
Monti's "Csardas Dance" According to experts, is the best way to reflect the techniques of playing the violin music. Numerous violin is also a master of the songs show off superhuman technique. This song like a dancing melody of the wizard, from time to time with the fairy冲上云霄dance, and sometimes into the seabed into the Poseidon's magnificent palace, sometimes gentle whisper, sometimes flying up and down spiral, is exciting and very refreshing.
"Csardas" was adapted into a variety of trumpet, clarinet solo and many other instruments of music, a very wide spread. Have been adapted for the accordion and other musical instruments and the solo song合奏曲, common flute, trumpet, clarinet version of the solo song, as well as playing whistles version.
In addition to the above Monti's "Csardas", the well-known Spanish composer Sarasate's "Gypsy Song", also known as "Gypsy," also used the basic structure of Csardas, but something more complex, the feelings of the performance of more diverse, the last still rough fanaticism "Friis" end of paragraphs.
When playing some slow Adagio Cantabile, beautiful and moving, full of emotion to color. Allegro crisp paragraphs jumping, passionate, casual ease, to have the particles of syllables.
19世纪的欧洲是浪漫乐派的兴盛时期，有些作曲家在自己国家的民间音乐中汲取素材写出大量富有民族特色的音乐作品，而首开风气之先的是匈牙利的李斯特和波兰的肖邦。肖邦写过很多玛祖卡舞曲和波兰舞曲，李斯特则喜欢在自己的作品里按照匈牙利民间的查尔达斯舞曲的样式来创作。
查尔达斯舞曲起源于吉普赛人的民间舞蹈，在匈牙利广为流行，到了19世纪的50、60年代成为匈牙利主要的民间器乐体裁。它采用两拍子的节奏，在乐曲结构上由两部分组成。第一部分叫“拉绍”(Lassau)，意思是静溢，速度徐缓而富于歌唱性,这是男子独舞者出场时的音乐；第二部分叫“弗里斯”(friss)意思是跳跃，是主要部分，速度大都很快，常用切分节奏，这一段舞曲节奏鲜明，速度迅疾而气氛热烈，用来伴奏男女双人舞。
后来，查尔达斯舞曲被一些作曲家运用到不同形式的乐曲里，例如李斯特的《匈牙利狂想曲第二号》，这首狂想曲实际上是用查尔达斯舞曲的体裁写成的。乐曲开始是一段缓慢的引子，它是深沉的，但却坚强有力，具有号角一般的音色。跟着是称为“拉绍”的第一部,这是一段速度较慢而节奏自由的乐曲，表现了吉普赛人那种喜爱流浪生活、自由自在的性格，但音乐里有时不免流露出哀伤的情绪。乐曲的第二部分“弗里斯”是一段如火如荼的舞曲，粗犷而奔放，很能表现匈牙利民族特有的豪放和热情。这首狂想曲原来是钢琴曲，但在音乐会舞台上常常用管弦乐改编曲的面貌出现。
在一些著名芭蕾舞音乐里，有时也能听到查尔达斯舞曲，例如法国作曲家德里布的芭蕾舞剧《葛蓓莉娅》里的一段《查尔达斯舞曲》就很有名。
著名《查尔达斯匈牙利舞曲》的乐曲出自19世纪末、20世纪初的意大利著名小提琴家、作曲家维托里奥·蒙蒂的最著名的两首小提琴曲之一（另一首为《爱的晨曲》）
维多里奥·蒙蒂(Vittorio Monti)1868年1月8日生于那不勒斯，1922年6月20日逝世。蒙蒂从小热爱音乐，后来，他到那不勒斯音乐学院和巴黎学习小提琴和作曲。1886年，当蒙蒂18岁时，他已经成为拉穆勒管弦乐团的一名小提琴手了。1900~，蒙蒂担任某音乐厅管弦乐队指挥，以后，他进行小提琴和曼陀林教学,并继续作曲。蒙蒂的作品有一部芭蕾音乐、几部小歌剧和一些小品，但是，只有这首为小提琴和乐队写的《查尔达斯舞曲》，使蒙蒂的名字在世界上享有声誉。
这首乐曲先是d小调，后半部分转D大调，2/4拍，复三部曲式。前面有个节奏自由的引子，由小提琴在低音区演奏,进入正规舞曲节奏之后，出现了一段活泼欢快的旋律，这是它第一部分的A段,B段也是用一系列十六分音符组成，十分活泼。经过一个过渡段落，是乐曲的第二部分，它转为D大调，在节奏上放慢了一些，又由于是在大调上进行的，所以显得十分明朗、舒展.然后重复第一部分B段旋律,在它之后，出现一个明朗的曲调，是从第一部分演变过来的，原来是小调，而这里变成了大调，它反复一遍之后接尾声，乐曲结束在明朗的大调上。
乐曲一开始先呈示出充满激情的引子，然后奏出深沉而略含忧愁的主题，并由这一主题组成了查尔达什舞曲特有的"拉绍"段落。在这一小调色彩的抒情旋律发展之后，后来转换成另一支流畅而华丽的旋律。这两支旋律都具有鲜明的匈牙利及吉卜赛音乐的特点。
接着 乐曲转入查尔达斯舞曲快速而活泼的"弗里斯"段落 ，和上面那段“拉绍”形成强烈的对比，充满欢快而奔放的氛围。这段舞曲音乐越来越热烈，快速的走句频繁出现，使乐曲趋向高潮~~~接着，音乐突然平静下来，缓缓奏出柔和而委婉的歌唱性主题旋律。 这一纯朴甜美的旋律经过小提琴泛音再现，形成一种幽谷回声的动人效果。最后快速的走句再次现身，并用切分的节奏处理，将乐曲推向热烈的高潮后结束全曲。听到它，就好像在我们面前展现出一幅匈牙利人民生活的民俗画面。
蒙蒂的《查尔达斯舞曲》据专家介绍，是最能体现小提琴演奏技法的曲子。亦是无数提琴高手炫示超人技法的名曲。 这曲子的旋律象一个舞动的精灵，时而冲上云霄与仙子共舞，时而潜入海底进入波塞冬的华丽宫殿，时而温柔低语，时而上下盘旋翻飞，令人兴奋不已，非常提神。
《查尔达斯》还被改编成多种小号，单簧管等多种乐器的独奏曲，流传十分广泛。曾被改编为手风琴等各种乐器的独奏曲和合奏曲，常见的有长笛、小号、单簧管的独奏曲版本，还有口哨演奏的版本。
除了上述蒙蒂的《查尔达斯》之外，西班牙作曲家萨拉萨蒂著名的《吉普赛之歌》，又叫《流浪者之歌》基本也运用了查尔达斯的结构，但更加复杂些，所表现的感情也更为多样，最后仍然以狂热粗犷的“弗里斯”式的段落作结。
吹奏时慢板部分徐缓如歌，优美动人，要充满情感色彩.快板段落明快跳跃，热情奔放，自如潇洒，音节要具有颗粒性。
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